Art plate: the rear wing and louvred tail of a Ferrari F40 raked by one hard light in darkness

The Journal · Ferrari

Enzo’s Last Word

The F40 was a speculation object before it was a myth. Forty years later the market has learned what most people still confuse: what it costs, and what it is worth.

HICONIUM editorial · June 14, 2026 · 4 min

Let us sit inside before we talk about money. There is no carpet, no radio, no power steering. The door opens from the inside by a fabric pull-strap, the side window is Lexan you can flex with a thumb, and the paint lies so thin that on some cars the weave of the body shows through. This is not economy. It is a position: in 1987 Ferrari built a racing car and civilised it exactly far enough to be allowed onto the road.

The name is the plainest announcement in the company’s history: Ferrari, forty years, F40. It grew from the DNA of the 288 GTO and its uncompromising prototype, the GTO Evoluzione; Nicola Materazzi brought the turbo knowledge, Pininfarina the form, drawn by Pietro Camardella and ground in the wind tunnel into a body with nothing decorative on it. Two turbochargers, 478 horsepower, 324 km/h: the F40 was among the first production cars to pass two hundred miles per hour in public. It was the last new model Ferrari presented in Enzo’s lifetime. Thirteen months after the premiere he was dead. What came afterwards was governed by electronics; the F40 remained the last that managed without.

Then the numbers began, and they immediately lost all measure. The list price stood at 380 million lire, at 444’000 marks, at just under $400’000; around four hundred cars were planned, some 1’311 were built in the end, and no number was enough to meet the demand. While the car was still coming off the line, the secondary market paid four to eight times over: in Germany 3.2 million marks were being asked, and Nigel Mansell parted with his in 1990 for a million pounds. You could buy this Ferrari for £163’000 and sell it for a million before you had run it in.

And as fast as it had risen, it fell. By the early nineties the F40 traded below list. For over a decade it sat between two and four hundred thousand dollars; in 2006 a good car changed hands in England for £195’000. The most expensive dream of its era had become a used Ferrari. That is the lesson the F40 teaches like no other: the price is a vote two strangers cast on an afternoon. The value is what remains long after both have left the room.

The same machine. A spread wide enough to fit a second F40 inside.

The market then needed forty years to understand what it was looking at. In 2019, in Paris, the hammer fell on an F40 LM at €4.84 million. In 2025, at Monterey, a 1993 F40 LM by Michelotto brought $11’005’000, more than any F40 before it, although under its first owner, a collector from St. Moritz, it had once crashed heavily. In early 2026 a road car reached $6.6 million. The average of all publicly sold road cars stands today at around 2.77 million; the lowest modern result, barely four years old, at 883’000.

That spread is precisely our business. Two F40s can be indistinguishable in a photograph and millions apart, and the reason is never in the paint. It is in the first fifty cars with the sliding Plexiglas windows; in the early cars without catalyst and without hydraulic lift, which collectors call non-cat, non-adjust and pay around thirty percent over for; in the Classiche certification, in the gapless file, in 1’799 kilometres since 1990. A green F40 makes headlines, but attention is not a premium: in this market originality remains the harder currency. What such a car is worth cannot be guessed. It can be proven.

So we prove it. Our model reads every documented hammer price this model has achieved since 1987 and weights it by the qualities that make the difference, from the originality of the matching numbers to the completeness of the provenance. The machine recognises the pattern. A connoisseur decides whether the pattern does this one car justice. And we will not tell you what your F40 will be worth in ten years; rarity alone has long stopped guaranteeing a return, and whoever promises certainty in this market only reveals that he does not understand it. We tell you the probability that it rises, and why.

That is not caution. That is precision with feeling.

From the house files

Ferrari F40 · The complete file

Records, variants, and the spread the paint will never explain.

The House

HICONIUM editorial

Unsigned pieces are written at the desk in Zürich, checked against the files, and published when they are ready.